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	<title>elenavictoriapastor</title>
	<link>https://elenavictoriapastor.com</link>
	<description>elenavictoriapastor</description>
	<pubDate>Mon, 28 Oct 2024 20:46:50 +0000</pubDate>
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		<title>in search 2</title>
				
		<link>https://elenavictoriapastor.com/in-search-2</link>

		<pubDate>Mon, 02 Sep 2024 16:53:50 +0000</pubDate>

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	In search of a new symbiosis part II: the unknown 
Interactive installation with natural elements (logs, pruned branches), video mapping projection, and ambient sound&#38;nbsp;Concept&#38;nbsp;elena victoria pastor
 Creative design /&#38;nbsp; videomapping 
Tomás 
Vj Mute Santana
 Mastering sound piece&#38;nbsp; 
David Huss&#38;nbsp;

Hégenheim, 2024
	In Search of a New Symbiosis Part II: The Unknown is a conceptual installation by elena victoria that immerses the audience in an underground experience, where the intricate fungal network, often called the Wood Wide Web, thrives. The installation features two projectors that map mycelial structures across the room's walls and ceiling using advanced video mapping software, precisely designed to integrate with the space. Prior to projection, the room is transformed with organic materials—roots and tree prunings from the surrounding area—creating an immersive mycelium underworld.

Accompanying the visuals is an evocative soundtrack composed by elena victoria, blending a voice-over of selected quotes from Let's Become Fungal by Yasmine Ostendorf-Rodriguez with elements of musique concrète and feedback loops. This audio-visual experience prompts reflection on how our human ways of life impact the non-human world, even the invisible organisms beneath us. The installation encourages the audience to explore unconventional and speculative ideas of symbiosis in interspecies relationships, fostering an inclusive dialogue about the decisions we make that affect more-than-human beings.
The work was invited to be presented for the first time in the second 
phase of the project Exploring Conscious Territories at the 
FABRIKculture in Hégenheim during the week of ArtBasel Fair 2024. 


Exhibited at:- 2024&#38;nbsp; &#38;nbsp; FABRIKculture in Hégenheim, Switzerland-France border.
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Lichtkunst-Spaziergang 2024, Wasserschloss Reelkirchen.
- 2025 &#38;nbsp; &#38;nbsp; Galerie 21, Hamburg.&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp;Bioeléctrica - Especial Radial Semana de la Escucha, Tsonami sound Art, Valparaiso.



sound piece &#38;gt; herevideo register &#38;gt; hereimages: courtesy of artist


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		<title>power of water</title>
				
		<link>https://elenavictoriapastor.com/power-of-water</link>

		<pubDate>Mon, 02 Sep 2024 21:34:48 +0000</pubDate>

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	Power of Water

Immersive installation with ambient sound, video projection on fabric, smoke machine, and LED lighting design
Concept elena victoria pastor
Sound in collaboration with 
David Huss
Hamburg, 2023
	In addition to being essential for the survival of countless life forms on the planet, water serves as a profound source of inspiration across many cultures. Throughout human history, water has woven intricate stories, fueled legends, and laid the foundation for entire cosmogonies. In many traditions, its transformative power transcends the purely material, embodying a deeper connection between humanity and the natural world. Across various civilizations, water has often been personified as a female figure, reflecting its role as a container, giver, and generator of life. This interpretation, deeply rooted in ancient pagan and indigenous beliefs, stands in stark contrast to the historical subjugation of women in patriarchal societies—an imbalance further exacerbated by industrialization and capitalism.

In Power of Water, elena victoria combines video, sound, and light to explore the representations of female deities in both Northern European and Caribbean cultures, specifically through the figures of mermaids. Through this installation, she investigates how the voices of these deities, symbolizing strength, mythology, and the sacred, can be intertwined in a postcolonial revitalization. Water becomes the central element in the projection, connecting the viewer to these cultural representations in an abstract and timeless way. The sensory experience of the audience is enhanced as the water is not only projected on the walls but also physically present beneath the metal floor of the exhibition space, which takes place inside a docked fishing boat in Hamburg.
Special thanks to Giulia Busetti, curator from the Dass8Meer exhibition 
in context of See Frauen Parade. Showed at M.S. Stubnitz, Hamburg, 2023.


soun piece &#38;gt; here
video register &#38;gt; here
images: courtesy of the artist
	
  
 
 
  
 
      


			

			
							

		

		

		
	


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		<title>der baume</title>
				
		<link>https://elenavictoriapastor.com/der-baume</link>

		<pubDate>Tue, 03 Sep 2024 21:16:12 +0000</pubDate>

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Der Bäume, der imWald fällt 
Imaginary Sound Landscape. Live performance with vocal improvisation &#38;amp; experimental sound work collage.
Concept elena victoria pastor

Trier, 2024

	At the inaugural event of SúnPoíēsis: From Ego- to Eco-Centrism through Art, elena victoria pastor captivates the audience with her evocative performance piece, The Tree That Falls in the Forest. Using her deep musical background, pastor weaves an immersive soundscape that explores the hidden, intricate web of relationships within our environment—those that extend beyond the limits of human perception.

Through free improvisation and haunting vocalizations, she transports the audience into the depths of the Amazon. Here, she conjures an imaginary sonic landscape, invoking the unseen forces that shape the delicate fabric of our world. The performance asks us to contemplate the limits of our understanding and challenges us to perceive the interconnectedness of life, not only with our minds but with our spirits—beyond the boundaries of human cognition.

Pastor's work invites reflection on the infinite relationships that shape our existence, interspecies connections often unnoticed, yet ever-present. Even when human eyes are absent, the reverberations of life persist. Could it be that these deep ties are not meant to be understood by the mind, but rather felt by the spirit? Through sound, she invites us to embrace a more profound sense of interconnectedness—one that transcends the constraints of ego, memory, and intellect.
SúnPoíēsis: From Ego- to Eco-Centrism through Art at Kunsthalle Trier 
from 7 March to 7 April 2024. The curatorial initiative by Sabina 
Oroshi.

images: Jean-Luc Caspers  
 
 
  
 
      


			

			
							

		

		

		
	


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		<title>chair</title>
				
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		<pubDate>Wed, 04 Sep 2024 15:50:28 +0000</pubDate>

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	Chair with a view 
Live performance at Schafberg Peak 1,782mConcept&#38;nbsp;elena victoria pastor
 Performer 
Ken AsahinaWolfgang See, 2024
	elena victoria's performance, Chair with a View, reimagines the historical tradition of the Sesselträger—migrant men who carried visitors to the summit of Schafberg mountain. In a powerful subversion of this tradition, elena victoria, as a woman, took on the role of the carrier. Collaborating with her friend, Ken Asahina, she carried him on her back up the mountain, symbolizing a shift in gender roles and a new narrative for this historical practice.

As they reached the peak, an old chair from the Sesselträger era awaited them. She gently lowered Ken, and together they embraced, hand in hand, reflecting on the journey and the bonds formed through their shared effort. In a poignant conclusion, elena victoria took her place in the chair, capturing the spirit of Art Circle International—a space where artists come together to support, engage, and exchange ideas, while rethinking historical and cultural narratives.


images: Chris Guetl - Art Circle International
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		<title>la venus</title>
				
		<link>https://elenavictoriapastor.com/la-venus</link>

		<pubDate>Mon, 28 Oct 2024 20:46:50 +0000</pubDate>

		<dc:creator>elenavictoriapastor</dc:creator>

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	La Venus de Tacarigua Video art with elements of performance originally created for an interdisciplinary installation

Concept 
elena victoria pastor
Performers
Martin Muth, Nico Lillo &#38;amp; Nadder Hamzeh
Camara
Jeppe Nørholm Rohde
Hamburg, 2022
	










In “The Venus of Tacarigua,” elena victoria invites pedestrians at the Harburg train station to confront and contemplate their gaze upon the female body. This multimedia installation delves into the representation of female bodies, examining the predominantly male canons found in pictorial art and the colonial research conducted by archaeologists regarding femininity in Valencoide culture in Venezuela.


The artwork encompasses various mediums, including performance, photography, video art, and voice-over narration accessible through QR codes. Modeling gestures are scattered throughout the installation, enhancing the viewer’s engagement. elena victoria was invited by the collective Cake&#38;amp;Cash to present her work in showcases 2 and 3 at the Kunstverein Harburger Bahnhof art space.


This project was made possible with the generous support of BKM Hamburg and Bezirkamt Harburg.


Exhibited at:- 2022  &#38;nbsp; Curator collective Cake&#38;amp;Cash at Kunstverein Harburger Bahnhof KVHBH Vitrinen Gleich 2&#38;amp;3. Hamburg.
 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; 8vo Festival de Video Arte NodoCss, Caracas.
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ULA International Art Biennial, Merida. First price in Videoart.- 2024
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; Mostra America Latina, Casa França-Brasil in collaboration with WatchLucid, Rio de Janeiro.

video register &#38;gt; here
Images: Maik Graef.




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		<title>atem</title>
				
		<link>https://elenavictoriapastor.com/atem</link>

		<pubDate>Tue, 03 Sep 2024 21:22:31 +0000</pubDate>

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&#60;img width="1701" height="1276" width_o="1701" height_o="1276" data-src="https://freight.cargo.site/t/original/i/1d6042b2d7d477cee5d6f8598290e92e8b043b8338eeb642b1720fd94de84f97/insta_festival_felixamsel_performance_DSC_4421.jpg" data-mid="217432339" border="0"  src="https://freight.cargo.site/w/1000/i/1d6042b2d7d477cee5d6f8598290e92e8b043b8338eeb642b1720fd94de84f97/insta_festival_felixamsel_performance_DSC_4421.jpg" /&#62;
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&#60;img width="1311" height="874" width_o="1311" height_o="874" data-src="https://freight.cargo.site/t/original/i/544061f54a9719488a047ad9d89714d4527f6a3d72395871ec15bc722badec44/230722_OGP_KLIMASTROEME_2023_0912_Hires.jpg" data-mid="217433000" border="0"  src="https://freight.cargo.site/w/1000/i/544061f54a9719488a047ad9d89714d4527f6a3d72395871ec15bc722badec44/230722_OGP_KLIMASTROEME_2023_0912_Hires.jpg" /&#62;



	Atem zum Wind

Experimental improvisation concert. Vocals and instruments from the Amazona wind instruments
Performed byelena victoria pastor &#38;amp;
Hannes Wienert
 
Worshop children facilator supporter 
Lina Figueroa García

Hamburg, 2023
	The air we exhale as a breath of life also becomes a vehicle for narratives and songs. Similarly, when air is expelled through instruments or devices, it creates evocative soundscapes. In a dialogue of sound through improvisation with wind instruments and vocalizations inspired by shamanic chants, the performers established a spiritual connection that transcended boundaries, linking the global north with the global south.

Through the act of improvisation, new narratives were woven that dismantled cultural and historical barriers, painting a sonic landscape that, combined with the sounds generated from natural materials, invited the audience to experience a more intimate communion with their surroundings, rekindling a deeper connection to the Earth. The performance encouraged reflection on the inherent beauty and harmony in the interaction between the divine and the earthly, creating a sonic abstraction of anthropocentric paradigms and narratives related to the natural world.

To conclude the concert, a group of children, who had previously participated in a workshop on making musical instruments inspired by the traditional crafts of Amazonian indigenous peoples, joined Hannes and elena victoria on stage to create music together with their handmade instruments.
Performed at Klimaströme Das Fest der Elbe. Curated by Kajan Luc.
Klimaströme&#38;nbsp; is a project of Entenwerder Elbpiraten e.V. and is 
supported by Das Zukunfts Paket, Hanns R. Neumann Stiftung &#38;amp; 
NUE-Stiftung.


full concert &#38;gt; here
images: Felix Amsel &#38;amp; Öncü Gültekin
	
  
 
 
  
 
      


			

			
							

		

		

		
	


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		<title>set on stone</title>
				
		<link>https://elenavictoriapastor.com/set-on-stone-1</link>

		<pubDate>Wed, 04 Sep 2024 15:50:12 +0000</pubDate>

		<dc:creator>elenavictoriapastor</dc:creator>

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&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/3009796be744d8cdf047e6462f6d40b9ee0472b88126e22b8ceb24d7178852ef/set-on-stone_elenavictoria_07.jpg" data-mid="217478486" border="0"  src="https://freight.cargo.site/w/1000/i/3009796be744d8cdf047e6462f6d40b9ee0472b88126e22b8ceb24d7178852ef/set-on-stone_elenavictoria_07.jpg" /&#62;




	 Set on stone 
Video performance at historical location of Falkensteinkirche with frottage technique

Concept elena victoria pastor
Austria, 2024
	Human history has often been told through images etched in stone, reshaped and reinterpreted across millennia. Our species has named, analyzed, and conceptualized other species and our surroundings—through science, history, and particularly through our own human lens. But what if we weren't the sole storytellers? What if we examined the narratives from other perspectives—the traces left behind by other species, elements, and matter? Could the story of the planet be told differently, not solely through human understanding, but through time itself and in ways that transcend the human mind?

Inspired by the legend of pilgrims purifying themselves in the natural stone grotto of Falkensteinkirche, elena victoria embarks on a journey through the Schleifstein, documenting its textures, history, and the passage of countless pilgrims. Using the frottage technique on paper, she captures a silent dialogue with nature, seeking to express the pilgrim's story through the language of the earth—etched into the traces left upon the stone.

video register &#38;gt; hereimages: courtesy of artist
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		<title>in search </title>
				
		<link>https://elenavictoriapastor.com/in-search-1</link>

		<pubDate>Wed, 04 Sep 2024 15:50:17 +0000</pubDate>

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	In search of a new symbiosis
Immersive installation with performance video in the form of video mapping combined with elements from nature (logs, pruned branches), ambient sound and a book on displayConcept elena victoria pastor
Video mapping&#38;nbsp; 
Fabián Villasana A.K.A. dr._.calavera Hamburg, 2022
	elena victoria's naked body gracefully emerges from within the branches 
of a fallen tree, brought to life through video mapping, where real 
branches intertwine and extend into the exhibition space. 
Simultaneously, an ambient sound composition, combined with selected 
passages from Michel Serres book The Natural Contract, resonates 
through the room, narrated in the artist's own voice.
Complementing the immersive experience, a landscape of carefully 
arranged cut logs occupies the exhibition space, accompanied by the 
captivating scent of palo santo incense. Through this multi-sensory 
installation, titled In Search of a New Symbiosis, elena victoria 
invites contemplation on the urgent need to reestablish a harmonious 
connection between humanity and nature, blurring the boundaries between 
the real and the fictional, while questioning the impact of technology 
on our relationship with the natural world.
This artwork was created for the exhibition of the 
Arbeitsstipendium FreieKunst Hamburg 2020/2021, held at the Sammlung 
Falckenberg Collection in Deichtorhallen Hamburg.

Exhibited at:- 2022&#38;nbsp; &#38;nbsp; Sammlung Falckenberg Collection in Deichtorhallen Hamburg.
- 2023&#38;nbsp; &#38;nbsp; La Casa Disiente, Caracas.
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;Performance Studies International PSi, Johannesburg.




sound piece &#38;gt; here


video register &#38;gt; hereimages: Deichtorhallen Hamburg / Sammlung Falckenberg - Felix Krebs &#38;amp; courtesy of the artist


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		<title>paraiso</title>
				
		<link>https://elenavictoriapastor.com/paraiso</link>

		<pubDate>Sat, 26 Oct 2024 16:57:30 +0000</pubDate>

		<dc:creator>elenavictoriapastor</dc:creator>

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	Paraiso Tropical
Performance installation with video mapping, sound and 4x2mt water pool reflection surface.
Conceptelena victoria pastor

Video Mapping 
Tomás Santana

Interviews 
Luis Guillermo Franquiz, Mónica Henriquez, Tatiana Serrano, Pedro Suárez, Francia Elena Suárez (her mother) and NGO Hearts on Venezuela.
Hamburg, 2020
 
	elena victoria puts photography, video, performance and installations into dialogue to show her interest in current affairs. Influenced by her career in journalism, she creates ways to express emotions by setting analogies with elements of nature, to reflect on issues such as migration and feminism. In her latest works the presence of nature became yet more intensive by placing it as a key frame.

 A video mapping of leaves, which resemble the tropical rainforest, creates a visual contrast between sober realities and a romanticized idea of paradisiacal nature. Projected on a layer of rudimentary plastic foil, it is reminding of simple constructions found on places of conflict like borders with massive traffic of illegal walkers. The history of migration is cruel, even in the present. We listen to a series of interviews with witnesses of the Simon Bolivar's Bridge, the most transited border point between Venezuela and Colombia. Voices speak to us, telling stories about the immeasurable political and social collapse of Venezuela. Paraiso Tropical is a comment on her home country’s geopolitical agenda. With a visceral and intimate imprint, which is often to be found in her artwork, Elena Pastor brings some of her personal path on the topic, which finally addresses it to everyday life, familiarity and how usual the act of migration is.This exhibition was presented as part of the Nominees Exhibition for the Arbeitsstipendium Hamburg 2021, where Elena Victoria Pastor was selected as one of the ten final award recipients.


images: Pedro Torres &#38;amp; courtesy of the artist



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